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this is only a test/ a dance film project in process
emerging out of a solo process ('to love the rise/pt.1') that lived for about a year before the pandemic + portals of 2020, these experiments - live IRL, live virtual, and film - are a burying, a retrieval, an allowing, a letting go and being now with- we are making a dance film we are burying we are trying to examine what remains we are amnesia, disorientation, fierce ephemeral pink plastic dripping with sand, water, sky, trash and tenderness we are nonlinear stories of visceral memory we are listening on a cellular level glinting marrow/ amnesia study #4 part of a shared ^virtual^ evening w/ Jasmine Hearn & marion spencer saturday october 24th 7p est sunday october 25th 7p est presented by Estrogenius Festival tickets/info operculum song/ amnesia study #3 live virtual performance experiment in conversation w/ film project process presented as part of an evening of virtual performance experiments hosted by Arts On Site October 2020 available to witness HERE what remains/ amnesia study #2 live performance experiment in conversation with film project process presented as part of an evening of outdoor performance experiments hosted by Soluq Dance Theater, Central Park NYC August 2020 the burial/ amnesia study #1 film presented as part of Freeskewl's On The House virtual performance series August 2020 available to witness HERE made from test footage shot by evan carter of a dance film project in process w/ soundscapes by slowdanger edited by marion /film stills courtesy of marion + evan carter/ |
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^deconstructed^
film + virtual zine May 2020 presented by + presented AT: New Dance Alliance's Performance Mix Festival ^virtual edition^ availalble to witness HERE featuring collaborating artists Symara Johnson s. lumbert Tara Sheena slowdanger (aka Anna Thompson + Taylor Knight) Kimiko Tanabe Ogemdi Ude 'to love the rise/ pt. 2' ^deconstructed^ are film + virtual zine expressions of our virtual process- of what being in practice looks like, feels like, WAS for us in April 2020, within the container of developing project 'to love the rise/ pt. 2' - a dance exploring conscious femininity, growth mania, liminal space and transformation. Emerging on a different imaginative plane- an apocalyptic world where only we remain- a new utopia and all her elements are rebuilt by our collective. We offer an anti-capitalist mindset and alternative order, posing that our world is made by us, by us all- through protest, imagining and action. /film stills in collage courtesy of collaborating artists/ |
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to love the rise/ pt. 1 & 2
2020+ the continental rise- a unique underwater environment found between the continental slope & the abyssal plain, composed of tons of accumulated deposited sediments & runoff. It is the final threshold in the boundary between continents & the deepest part of the ocean. to love the rise/ pt. 1 (solo) a solo examining ambition, conscious femininity, liminal space and transformation, set against the reality of global capitalism, its need for relentless growth, and the resulting toll that takes on the physical body. We must be cyborgs- part human, part machine- to achieve and succeed amidst an oppressive capitalist system. The piece considers the work of feminist poet Yrsa Daley-Ward's 'Bone,’ offering lessons in decay, renewal and regrowth, and calls upon late pop star Prince's talent, ambition, magic and mysterious distance from society. This process is an ode to a systemic problem but, also, a call for change and an invitation to dream- presented in progress by Dance HOLO (February 2020) presented in progress by Mana Contemporary (January 2020) presented in progress by The Chocolate Factory Theater (December 2019) presented in progress by Art Klub, New Orleans LA (October 2019) presented in progress by Local Project (curated by Sierra Ortega), Queens NY (August 2019) presented in progress by Women in Motion salon, Soundance Studio Brooklyn NY (July 2019) presented in progress by Pie & Performance, Brooklyn NY (May 2019) presented in progress by MERDE the show, The Footlight, Queens NY (March 2019) to love the rise/ pt. 2 (group work) w/ collaborating artists / Symara Johnson s. lumbert Tara Sheena Kimiko Tanabe Ogemdi Ude w/ live sound collaboration + performance by Slowdanger set in an apocalyptic world where only we remain, this process emerges post capitalism, post apocalypse- to consider how we move forward with scars, embracing an alternative order. Centering a multiplicity of viewpoints and textures through collective explorations into conscious femininity, liminal space and transformation, a new utopia is rebuilt by our collective. These environments collage together to undo, unwind and transport in order to imagine new possibilities, offering that our world is made by us - by us all- through resistance, imagining and action. creative residency, Mana Contemporary (January 2020) presented in progress by The Chocolate Factory Theater (December 2019) photos © Jessie Young |
WOLF
WOLF
2019
'WOLF' is a dance that explores beautiful magic and tragic happenings in our world. Digging into storms, happiness, the memory of trauma, whiteness, cleaning and transformations, this solo examines falling under spells, the wild beauty of nature and its undeniable impending loss, red wine, red blood and how we get out from under it all. Nayyirah Waheed's 'salt', Sara Ahmed's 'The Promise of Happiness', Clarissa Pinkola Estés's 'Women Who Run With the Wolves', and essays from 'The Racial Imaginary' edited by Claudia Rankine are all lessons informing this project. 'WOLF' is a tonal and energetic work that calls for action and transformation, inviting us to feel, ask questions and consider what else both imaginatively and constructively.
THANK YOU to Trina Mannino of the Dance Enthusiast for your words on 'WOLF' at Danspace Project's DraftWork 3/16/19. read the article HERE
presented by Mondo Bizarro & Dancing Grounds at Catapult, New Orleans LA (October 2019)
presented by Danspace Project (DraftWork), New York NY (March 2019)
Base: Experimental Arts + Space, Seattle WA (February 2019)
presented by Green Space (Take Root Festival), Queens NY (January 2019)
presented by Domestic Performance Agency (DPAPP), Brooklyn NY (January 2019)
presented by Center for Performance Research (Fall Movement), Brooklyn NY (November 2018)
Amherst College, Amherst MA (October 2018)
Upper Jay Art Center, Upper Jay NY (August 2018)
Movement Research at the Judson Church, New York NY (May 2018)
Domestic Performance Agency, Brooklyn NY (December 2017)
watch 'WOLF' at Danspace Project: pre-show / performance (March 2019)
watch 'WOLF' at Green Space (January 2019)
photos © Stefano Altamura
2019
'WOLF' is a dance that explores beautiful magic and tragic happenings in our world. Digging into storms, happiness, the memory of trauma, whiteness, cleaning and transformations, this solo examines falling under spells, the wild beauty of nature and its undeniable impending loss, red wine, red blood and how we get out from under it all. Nayyirah Waheed's 'salt', Sara Ahmed's 'The Promise of Happiness', Clarissa Pinkola Estés's 'Women Who Run With the Wolves', and essays from 'The Racial Imaginary' edited by Claudia Rankine are all lessons informing this project. 'WOLF' is a tonal and energetic work that calls for action and transformation, inviting us to feel, ask questions and consider what else both imaginatively and constructively.
THANK YOU to Trina Mannino of the Dance Enthusiast for your words on 'WOLF' at Danspace Project's DraftWork 3/16/19. read the article HERE
presented by Mondo Bizarro & Dancing Grounds at Catapult, New Orleans LA (October 2019)
presented by Danspace Project (DraftWork), New York NY (March 2019)
Base: Experimental Arts + Space, Seattle WA (February 2019)
presented by Green Space (Take Root Festival), Queens NY (January 2019)
presented by Domestic Performance Agency (DPAPP), Brooklyn NY (January 2019)
presented by Center for Performance Research (Fall Movement), Brooklyn NY (November 2018)
Amherst College, Amherst MA (October 2018)
Upper Jay Art Center, Upper Jay NY (August 2018)
Movement Research at the Judson Church, New York NY (May 2018)
Domestic Performance Agency, Brooklyn NY (December 2017)
watch 'WOLF' at Danspace Project: pre-show / performance (March 2019)
watch 'WOLF' at Green Space (January 2019)
photos © Stefano Altamura
storm studies
storm studies
2018
extremely honored & excited to have been in residence at Brooklyn Studios for Dance summer-> fall 2018 with composers Daniel Siles& Juan Pablo Siles through SoundStep II- BKSD's choreographer/composer residency. We collaborated to build a new dance & sound work. What emerged was a study in storms- natural and unnatural storms, mind storms, emotion storms, political shit storms- and of what remains after it all passes.
presented by Brooklyn Studios for Dance, Brooklyn NY (October 2018)
watch 'storm studies' at BKSD (October 2018)
2018
extremely honored & excited to have been in residence at Brooklyn Studios for Dance summer-> fall 2018 with composers Daniel Siles& Juan Pablo Siles through SoundStep II- BKSD's choreographer/composer residency. We collaborated to build a new dance & sound work. What emerged was a study in storms- natural and unnatural storms, mind storms, emotion storms, political shit storms- and of what remains after it all passes.
presented by Brooklyn Studios for Dance, Brooklyn NY (October 2018)
watch 'storm studies' at BKSD (October 2018)
Rosalie
Rosalie
2018
Rosalie, an assisted solo performance, examines celebration's power and pitfalls, and the lessons we learn from places and people. The piece honors female-bodied goddesses and mentors present and past, and asks, how do we keep going, what is it that gets us through, when does celebration help and when does it hurt? Rosalie invites you to join me in a world, part sweet and personal, part dream, part nightmare. We will chat together, eat chocolate, listen to Venezuelan radio and to a bedtime story. It is a study in memory, letting go and in how we carry lessons learned from places and people.
made & performed in collaboration with Dr. Elsa Redmond, aka my mom.
presented by Dance Now Festival at Joes Pub, New York NY (September 2018)
presented by Triskelion Arts (Split Bill Series), Brooklyn NY (April 2018)
presented by Gibney (Work Up), New York NY (March 2018)
Triskelion Arts (Summer Shake Up series), Triskelion Arts, Brooklyn NY (August 2017)
Three's Brewing (All Together Now: an evening of Interdisciplinary Performance) Brooklyn NY (May 2017)
watch Rosalie at Triskelion Arts
watch Rosalie at Gibney
photo © Whitney Browne Photography
2018
Rosalie, an assisted solo performance, examines celebration's power and pitfalls, and the lessons we learn from places and people. The piece honors female-bodied goddesses and mentors present and past, and asks, how do we keep going, what is it that gets us through, when does celebration help and when does it hurt? Rosalie invites you to join me in a world, part sweet and personal, part dream, part nightmare. We will chat together, eat chocolate, listen to Venezuelan radio and to a bedtime story. It is a study in memory, letting go and in how we carry lessons learned from places and people.
made & performed in collaboration with Dr. Elsa Redmond, aka my mom.
presented by Dance Now Festival at Joes Pub, New York NY (September 2018)
presented by Triskelion Arts (Split Bill Series), Brooklyn NY (April 2018)
presented by Gibney (Work Up), New York NY (March 2018)
Triskelion Arts (Summer Shake Up series), Triskelion Arts, Brooklyn NY (August 2017)
Three's Brewing (All Together Now: an evening of Interdisciplinary Performance) Brooklyn NY (May 2017)
watch Rosalie at Triskelion Arts
watch Rosalie at Gibney
photo © Whitney Browne Photography
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Studies in Solitude September 2015 created and performed while in residence at Catwalk Art Institute, Catskill NY Studies in Solitude is a dance film and performance project that investigates the solo body's relationship to self and natural surroundings. The work examines how the container of a body shifts based on the content of surrounding landscape. This first installment of Studies in Solitude was created up in the Catskill Mountains and Hudson River Valley, and engages with both poetic pastoral landscapes as well as raw and real homes and neighborhoods of communities displaced up to Hudson from the Bronx. These studies invite the viewer to witness a body navigating within, around and amongst spatial histories. watch Studies in Solitude installment 1 photo © Marion Spencer |
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Disappearbox, May 2015 performed at Spoke the Hub as part of Alexandra Beller’s Choreolab performance showcase, Brooklyn NY Disappearbox is an unfinished solo that explores humility and recovery. Drawing from studies of how a body thinks and processes information and feelings - specifically hurt and loss - this solo asks the questions “how do we heal?”and “when are we healed?” The embodiment of patience and persistence as they relate to healing and to achievement are investigated throughout the work, and the relationship between healing and achievement is examined. This work invites us to watch a body think, process and persist. watch Disappearbox film still © Martijn Hart |
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how did i get here? November 2014 Tigermen Den, part of the New Orleans Fringe Festival, New Orleans LA made & performed by Ellery Burton and Marion Spencer how did I get here? Is a duet about labyrinths, direction, destiny and finding one's way. It is a journey wrestling with control over one's fate, amidst an environment that is disorienting you, disorienting us all perhaps. The piece invites us to consider our own individual paths and how much agency we have within our lives. how did i get here? first premiered in October 2014 as part of The Nature of Now, a Prospect 3+ exhibition at 3308 Magazine Street Gallery in New Orleans LA. watch how did i get here? photo © Claire Bangser |
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The Most Important Thing September 2014 part of the Dance for Social Change Festival, New Orleans LA The Most Important Thing, a solo performed by Kehinde Ishangi, is a dance that investigates dehumanization and what it takes to see people as people. This dance begins with the literal metaphor of human as trash, with Kehinde dancing inside of a black trash bag unnoticed by the audience at first. Ultimately, this work proposes that the beginning of the end of dehumanization might just possibly be things as simple as listening and dancing together. watch The Most Important Thing photo © Bound Entertainment, New Orleans |
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Straw June 2014 presented as part of New Noise's Sound OFF VI: Works in Progress Festival Clouet Gardens, New Orleans LA Straw is a solo work in progress referencing the phrase "the last straw" and "the straw the broke the camel's back." The piece examines those final blows, and how we handle and accept what comes to pass in our lives. watch Straw photo © Marion Spencer |
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Anansi/Anna March 2013 live art installation made and performed in collaboration with Monica Rose Kelly at Dancing Grounds "I've been absolutely terrified every moment of my life, and I've never let it keep me from doing a single thing I wanted to do" -Georgia O'Keeffe what is your greatest fear? what scares you the most? are you weaving your dreams into reality? Anansi is a durational and interactive live art installation that builds a giant spider web around everyone over the course of an evening, asking viewers to write down answers one of the above questions, that then get woven into the web, captured as prey. Anansi is inspired by Georgia O'Keeffe's famous saying, and asks us to meditate on our own lives, perhaps inviting us to face our own fears and work to realize our wildest dreams. watch highlights from Anansi photo © Brita Everett |
/banner photo courtesy of marion/